Top 5 Screenwriting Competitions: A Quick Review

Imagine pouring your heart and soul into a script, only to have it sit unseen in a digital drawer. You know your story deserves an audience, but how do you get it into the right hands? Entering screenwriting competitions feels like a promising path, a chance to get noticed by industry professionals. However, the sheer number of contests out there can feel overwhelming. Which ones are legitimate? Which ones actually help writers move forward? It’s easy to feel lost and worried about wasting time and money on the wrong opportunities.

This post is here to clear the fog. We will break down what makes a screenwriting competition truly valuable. You will learn the key things to look for, how to spot red flags, and ultimately, how to choose the contests that best fit your goals as a writer. Get ready to turn that uncertainty into a solid strategy for getting your screenplay seen.

Top Screenwriting Competitions Recommendations

No. 1
Stop Screwing Around and WIN Your Next Screenplay Contest!: Your Step-by-Step Guide to Winning Hollywood's Biggest Screenwriting Competitions ... (and become a professional screenwriter))
  • McCullough, Robert L. (Author)
  • English (Publication Language)
  • 118 Pages - 10/08/2018 (Publication Date) - Independently published (Publisher)
No. 2
Screenplay Competitions: Tools and Insights to Help You Choose the Best Screenwriting Contests for You and Your Script
  • Ann Marie Williams (Author)
  • English (Publication Language)
  • 264 Pages - 02/15/2019 (Publication Date) - Bluestocking Pr (Publisher)
No. 3
Screenwriting Success Secrets: Gain Exclusive Insights to Achieve Screenwriting Mastery and Success
  • C Ellwood, Ezra . (Author)
  • English (Publication Language)
  • 172 Pages - 04/06/2024 (Publication Date) - Independently published (Publisher)
No. 4
The Competition
  • Saia, Francisco (Author)
  • English (Publication Language)
  • 29 Pages - 09/03/2021 (Publication Date) - Independently published (Publisher)
No. 5
Break Into Screenwriting: Your complete guide to writing for stage, screen or radio
  • Amazon Kindle Edition
  • Frensham, Ray (Author)
  • English (Publication Language)
  • 368 Pages - 08/27/2010 (Publication Date) - Teach Yourself (Publisher)
No. 6
Scenario: The Magazine of Screenwriting Art (Winter 1997 issue) (Vol. 3, No. 4)
  • Zachary Sklar, Atom Egoyan, Waldo Salt, Joe Eszterhas, Jerome Hellman, Jason Greiff, John Schlesinger, Jennifer Salt (Author)
  • English (Publication Language)
  • 208 Pages - 02/08/1997 (Publication Date) - Howard Cadel (Publisher)

The Screenwriter’s Edge: Your Guide to Winning Competitions

Entering screenwriting competitions is a big step for any writer. These contests offer chances for feedback, prizes, and often, connections to the industry. But how do you choose the right one? This guide helps you navigate the field.

Key Features to Look For

When you look at a competition, several features really matter. These signs show if the contest is worth your time and money.

  • Reputation and History: How long has the competition run? Do established industry professionals judge the scripts? A long history usually means a fair and respected contest.
  • Prizes and Recognition: Look beyond just cash. Do winners get meetings with agents or producers? Public recognition, like being listed on major industry sites, is very valuable.
  • Judging Process Transparency: Good competitions tell you how they judge. Do they use readers first, then professional writers? Clear steps build trust.
  • Coverage Offered: Does the entry fee include professional feedback or coverage, even if you don’t win? This is great learning material.

Important Materials You Need to Check

Before you submit, check the rules and requirements carefully. These materials protect you and ensure your script qualifies.

  • Formatting Rules: Every contest demands specific formatting (like Final Draft or Courier 12pt font). Breaking these rules often leads to immediate disqualification.
  • Eligibility Requirements: Are you allowed to enter if you have already sold a script? Some contests are only for emerging writers. Check residency or genre restrictions too.
  • Submission Platform: Most use platforms like The Black List or FilmFreeway. Make sure you know how to use their system well before the deadline.

Factors That Improve or Reduce Quality

The quality of a competition isn’t just about the prize money. It’s about who reads your work and how seriously they take it.

Factors That Improve Quality:

  • Industry Judges: Judges who actively work as producers, studio executives, or working screenwriters bring real-world perspective.
  • Strong Track Record: If past winners are now optioning scripts or working in Hollywood, the competition is high quality.
  • Fair Fee Structure: While fees are normal, extremely high fees without clear explanations for where the money goes can be a red flag.

Factors That Reduce Quality (Red Flags):

  • Vague Rules: If the rules seem unclear or change often, the organization might be disorganized.
  • “Guaranteed” Sales: Beware of any contest that guarantees production or sales just for entering. This is often untrue.
  • No Public Winners List: A competition that never publicly announces past winners might not be taking its job seriously.

User Experience and Use Cases

How you feel using the contest matters greatly. A smooth process lets you focus on your writing.

Use Cases:
  • For Feedback Seekers: If your main goal is constructive criticism, choose a competition known for providing thorough written coverage for all entries.
  • For Networking: If you want industry exposure, look for contests that host live table reads or mixers for finalists.
  • For Budget Writers: Some organizations offer “early bird” deadlines or student discounts. Use these to save money while still submitting high-quality work.

A good user experience means deadlines are clear, communication is prompt, and the submission process is simple. Always read reviews from past entrants if they are available.


Top 10 Screenwriting Competition FAQs

Q: How much should I expect to pay for entry?

A: Entry fees usually range from $40 to $85. Early bird deadlines cost less, while final deadlines cost more.

Q: Do I have to use special software to enter?

A: Most contests require you to submit a PDF file. Ensure your script follows standard industry formatting before you upload it.

Q: What if I write a TV pilot instead of a feature film?

A: Many top competitions now have separate categories for TV pilots, one-hour dramas, and half-hour comedies. Make sure you select the correct category.

Q: Are online-only competitions trustworthy?

A: Yes, many highly respected competitions run entirely online now. The platform does not define the quality of the judges.

Q: How long does it usually take to hear back?

A: Results can take anywhere from three months to over a year, depending on the competition’s size and judging rounds. Check their posted timeline.

Q: Can I submit a script I have already revised?

A: Generally, yes. You can usually submit revised drafts between deadlines, but check the rules; some contests require you to pay a small resubmission fee.

Q: What is “coverage” in a competition context?

A: Coverage is a professional summary and evaluation of your script, often including a “pass” or “recommend” rating. It is valuable feedback.

Q: Does winning guarantee an agent?

A: No competition guarantees representation. Winning opens doors and gets your script noticed by industry professionals who attend the final stages.

Q: Should I enter my first draft?

A: It is strongly recommended that you do not. Only submit scripts that you have polished and had trusted readers review first.

Q: What is the most important thing judges look for?

A: Judges primarily look for a unique voice, strong character development, and a compelling story structure that keeps them engaged until the very end.